POLITIKK POETIKK PRAKSIS: november 2010

Danmarksamtalene {b}

Bildet viser åpningen av This World We Must Leave, Århus Kunstbygning, 19. november, 2010. Vi fortsetter gårsdagens samtale inspirert av oppholdet i Danmark.

Danmarksamtalene {a}

18. november dro politikk poetikk praksis til København i anledning en konferanse om Das Beckwerk og dets identitetsproblematiserende prosjekt, kalt Who or what is really alive today. Vi var også innom Århus for å overvære åpningen av Mikkel Bolt og Jakob Jakobsens forestilling om revolusjon - This World We Must Leave - og rakk derefter en lille efterfest hos mikroforlaget After Hand. Bildet over er hentet fra utstillingen og viser en røyklagt Pariserkommune fra 1871 - et av flere eksempler på revolusjonære hendelser utstilt i Århus. Forklaringer på forkortelser og personer finnes nederst på siden. En ufullstendig litteraturliste legges ut på torsdag, etter fjerde og foreløpig siste del av samtalen. Vi har etterlatt åpne sår i teksten, grammatikalsk og semantisk, for å invitere til dialog.

R ä d d ä r i n t e

Joar Tiberg skriver i ansvaret ansvaret ansvaret ansvaret (2010): "Det ligger en död humla på gräset, den har legat där i tre dagar. Alldeles stilla.» Og der forlater han også humla, verken minutuøst eller reflekterene; en beskrivelse og deretter aldeles stille til neste side.

THE WASTE LAND

'Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et cum illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.'

I. THE BURIAL OF THE DEAD

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm' aus Litauen, echt deutsch.
And when we were children, staying at the archduke's,
My cousin's, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
Frisch weht der Wind
Der Heimat zu
Mein Irisch Kind,
Wo weilest du?
'You gave me hyacinths first a year ago;
'They called me the hyacinth girl.'
- Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Od' und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, she said,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying 'Stetson!
'You who were with me in the ships at Mylae!
'That corpse you planted last year in your garden,
'Has it begun to sprout? Will it bloom this year?
'Or has the sudden frost disturbed its bed?
'Oh keep the Dog far hence, that's friend to men,
'Or with his nails he'll dig it up again!
'You! hypocrite lecteur! - mon semblable, - mon frere!'

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